Archive for the Category »Painting «

09
Mar

Yesterday was a bit of a disaster for me in life drawing class.  I was almost in tears with sheer frustration at how appallingly bad my painting was.  I kept going, and I have to say I got practically nowhere.  Today, it was back to the drawing board, and I wondered if today was going to be as bad as yesterday.  No life drawing, but I had to start work on my painting for Contextual Studies.

I showed you a couple of ideas I had for composition yesterday, and I started out this morning with a fixed idea of what I wanted my painting to look like.  I thought to myself that it probably wouldn’t turn out anything like I expected or wanted.  It so happened that it didn’t turn out quite how I expected. I even told my tutor in detail what I was going for, and she liked the sound of it. I did too.  However, as most of you will know, nothing ever really turns out how you expect it. That’s not to say my day wasn’t productive.  It was.  It was extremely productive and I felt much better today.

I went into class, and started on my work immediately, while people were still coming into the class.  I was desperate to get on with my work.  I laid down my background, and it looked hideous! I then attacked it with my graphite stick – quite frantically, I may add. Then I started adding paint.  I kept my palette really controlled – just using burnt umber, mars black, zinc white, and cadmium yellow.  I was trying to keep it fairly monochromatic.  However, it was feeling rather cool even though I liked how it was going.  So I added alizarin crimson into the mix.  Adding it to the cadmium yellow and burnt umber.  This made a huge difference.

By the time class ended 2 hours later, I didn’t want to stop.  I was in the zone! I was worried that I wouldn’t get my mojo back in the afternoon, after my second class.  However, I was able to get back in the zone. Then I hit ‘the wall’. You know that stage when you know it needs work, but you haven’t a clue what to do about it?  So I got a bit of expert advice from my tutor, and I added a touch of colour in small areas and voila, it was done!  Three and a half hours of bliss, and this was the result.  Click to enlarge.

Abstract painting based on Dali and Picasso images

Acrylic on paper (42 x 60cm)

Now it is actually a bit darker than this in reality, but that’s down to the camera and the light. I think it has changed quite a bit from the original Dali and Picasso images.

Picasso Seated Bather.jpg

Picasso – Seated Bather

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Picasso – Dream

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Dali – Pierrot Playing The Guitar

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Picasso – The Studio

I’m really chuffed to bits with this painting, as you can probably tell.  I have one more painting for this subject, and that’s me finished.  The problem is that I still have almost 5 weeks left to go.  So I’m thinking that I will create some more based  on all of the paintings I selected for study.  That will at least give me more paintings to take in for my interview at uni!

06
Mar

I was sent a link to a YouTube video yesterday and I wanted to share it with all of you.  This amazing video was created by the band, Hold Your Horses – a Franco American band.  Highly original, it will appeal to all artists and art enthusiasts alike.  If you love art and art history, you won’t be disappointed.  Basically the band recreated 25 famous works of art, and it’s great just trying to figure out what the paintings are and by whom.  The song itself reminds me of Sufjan Stevens but differs in the lead vocalist’s style, but it has that folksie feel to it.

I contacted the band and Catherine has kindly allowed me to put the video up on my site.  You can check them out on their MySpace page: www.myspace.com/holdyourhorses or on their website: www.logre.tv. See if you can figure out the names of the artists and/or the names of the paintings.  I will post the answers in a few days!

I also wanted to share another link to some artwork that I was completely blown away by.  This is the work of Dave Devries, who has worked at Marvel and DC Comics.  Essentially, he was watching his niece draw one day, and he wondered how it would look if a child’s work was painted realistically and turned into a work of art.  He projected the child’s image and then traced over it exactly, then rendered it.  Here are a few snippets of his work.  You will see the child’s drawing and his beside it.

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You can see all of them at PulpFactor.com.  You can also visit Dave Devries’ website.

Oh, I decided to challenge myself and bought myself a bunch of flowers to paint a still life. Never done flowers before!  It’s a work in progress, so here’s what I have so far:

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Obviously that is the photo, because there’s no way I could paint like that!

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I’ve managed to block in some of the colour and there’s a long way to go on this painting, but I managed to knock this up in about an hour. That was the easy part. The devil, however, is in the detail!

03
Mar

I know I’ve been rather absent these past few weeks, and have been drip feeding my posts.  I’m still recovering from this virus I have, and I’m trying to shake this cough. I’ve also been trying to play catch-up after being off college for a week. I’ve had little enthusiasm for my work and finding motivation rather hard to come by.  I read somewhere that you should never try to paint when you’re ill as it is so emotionally and mentally draining.  I think I can agree with that sentiment.  However, I am trying to spur myself on and I bought a bunch of flowers today, which I hope to paint tomorrow.

So I thought I’d show some of things I’ve been working on this past week or so.  First up is a painting I did in life drawing, which I quite like even if it is a bit hot (colour-wise). I am quite enjoying Expressionism painting and the freedom that it brings.

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I did this with a palette knife and it is the first time I’ve worked on such a huge piece with one.  Theres a few bits that could do with some definition, and other elements such as the outline that could do with a bit less line. Otherwise, I’m fairly happy with it.

The next items are all taken from my Creative Textiles class.  I based these pieces on the theme Rendezvous, which seems to have gone in the direction of secrecy and covert operations.  This has led me to focus on the all-seeing eye and the building up of layers.

The first piece is a piece of silk that I have dipped in hot wax and crumpled into a ball. I then flattened it by hand and painted on fabric dye.  This is supposed to be like a weave pattern (although unsuccessful) but it has a great texture to it which you just can’t see here at all.

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The next piece was a piece of devore fabric that I had batiked onto giving the shape of facial features.  I dyed with red and black again, as I felt this was quite murky and bloody.  I then used devore paste on the material to burn out some of the fabric, making it transparent in places to reveal the layer underneath.  For some reason though, I think of the top layer as being very Banksy – completely unintentional!

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The next two pieces are on the same material – some kind of cotton I think.  I dipped these into the wax pot, crumpled them, then dyed.  What I love about these pieces are that they remind me of papyrus and ancient Egyptian texts.  Particularly the second piece.  As you can see, the all-seeing eye is present in both of these images, and are repeated several times in the second.  As you may or may not be aware, the all-seeing eye dates back to ancient Egypt and the Eye of Horus. Funnily enough, I didn’t intend for this effect on my first piece, but when I saw how it turned out, I definitely want to push it further in the Egyptian direction.

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This part was more considered, and I used the batik spoony/poury thing (that’s my technical definition for it as I don’t know what it’s called).  I help up the cloth after it had been dipped in wax, crumpled and dyed, and then used the spoony/poury thing to drip wax down the fabric.  I then turned it sideways and repeated the dripping effect, to get a nice kind of hatching pattern, but a few of the drips ran askew, which was absolutely ok.  I wish you could see how rich these colours look, as I’m particularly pleased with these two.

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So I cobbled some of my pieces together on a large sheet of paper and painted around them with fabric dye, dragging a fairly dry brush vertically in the direction of the fabric.  I love how murky this looks.

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The next piece was done by etching into a piece of polystyrene, then painted over with fabric dye.  I then pressed it onto a piece of calico giving a nice screenprint.

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The final piece was done using the same method except this time I used oil paint and pressed it onto 300lb watercolour paper.  I etched a smaller piece of polystyrene with a weave pattern and printed onto the paper in blocks, then I overlaid with my main print image.  I think this has turned out not too badly!

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So that’s where I am just now, and as you can see, my time hasn’t been completely wasted!

16
Feb

I finished my painting for Contextual Studies this evening.  I have to say, it turned out a bit differently from what I expected before I started working on it.  You see, I was working in Life Drawing class today, and we were working to music to see how it affects your style.  Now, I live for music – it’s my life blood.  I always paint to music, and I usually put my collection on random order, so the mood constantly changes. However, today we worked for half an hour to ‘relaxing’ music, half an hour to ‘aggressive’ music, and half an hour to ‘dark’ music.  It really depends on how you look at music.  The relaxing music was Ravi Shankar, which I found to be quite up-tempo.  The aggressive music was by Animal Collective, which was more avante-garde and slightly disconcerting, rather than aggressive, and the dark music was by Massive Attack, which to me is chillout music but with a hint of darkness in it. Most people would call thrash and death metal aggressive.  However, I love both of them, and generally don’t find them aggressive.  I hear the melody in it, and I relax to it.  So I guess it’s all relative.

I found it difficult to paint in a relaxing style, because, well, it’s not really me.  The aggressive style suited me far more, because it’s more expressive.  I also found the dark style to be too hypnotic so I don’t feel that the darkness comes across in my painting. Unfortunately, I forgot my first painting, so I can’t show it just now, but I’ve included the others.

This one is painted to Animal Collective, and is supposed to be aggressive. I personally love this one.  The style is completely different for me, and I absolutely loved painting it. I just got lost in the music.

Abstract mixed media life drawing of male figure

This next one was done to ‘dark’ music – Massive Attack – but as you can see the painting isn’t very dark, and to be honest, it’s not a particularly good painting either. There are so many mistakes in it, but I know what corrections I need to make.

Life drawing of male figure

Which brings me back nicely to my painting for Contextual Studies.  As I said, this turned out completely differently from what I expected.  I was heavily influenced by my life drawing today, and sought to bring that into this painting. This is quite dark, but I was painting to different types of music, so there are many styles here.  I’m really pleased with this one also.  Since I am basing this on several paintings by Dali and Picasso, two of which feature the imageries of war, I feel that this expresses those sentiments fairly well. I am becoming much more comfortable with being expressive and trying different styles of painting – coming out of my comfort zone, I suppose.  As usual you can click on all of the paintings to enlarge.

Abstract mixed media painting based on Dali and Picasso

Going back to the idea of music influencing painting style: do you listen to music when you’re painting? If so, what kind of music do you listen to, and what does it do for your style? Perhaps you don’t listen to music. Perhaps you can try, to see how it affects your style. I would love to hear your thoughts on this.

14
Feb

It’s been a few days since I’ve posted anything because I haven’t really had any work that I could post.  I’ve been working on my poster, textile and 3D designs – none of these have required painting.  Today I got back to sketching.  I went back to my Contextual Studies, which has been slightly neglected due to everything else that’s been going on recently.  I have 2 x A1 sheets, with 8 small paintings on each, relating to Salvador Dali and Pablo Picasso, and I have taken 3 particular pieces from one sheet and will reduce these into a single painting.  Here is a reminder of the paintings, (with the exception of one, which I don’t appear to have a photograph of):

Abstract painting based on Picasso and Dali

Abstract mixed painting based on Picasso and Dali

This is what I have got on paper so far:

Rough sketch of painting based on Picasso and Dali

I have employed a few little tricks in the bottom section of the painting to appear as a pair of legs and a hand, and I’ve a few more bits and pieces to add before I go back to painting it.

I am designing a headpiece for 3D design, and I have changed what I was originally doing.  I was designing a hat based on the architecture of Frank A. Gehry and Santiago Calatrava, which I’m still doing, but the hat was a bit too stiff and formal. I’ve now made it much more feminine and soft with flowers and ribbons and it’s looking really great so far.  I’m not going to show my sketch yet, as I want to keep it under wraps until I have it finalised.

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