Archive for the Category »Life Drawing «

03
Mar

I know I’ve been rather absent these past few weeks, and have been drip feeding my posts.  I’m still recovering from this virus I have, and I’m trying to shake this cough. I’ve also been trying to play catch-up after being off college for a week. I’ve had little enthusiasm for my work and finding motivation rather hard to come by.  I read somewhere that you should never try to paint when you’re ill as it is so emotionally and mentally draining.  I think I can agree with that sentiment.  However, I am trying to spur myself on and I bought a bunch of flowers today, which I hope to paint tomorrow.

So I thought I’d show some of things I’ve been working on this past week or so.  First up is a painting I did in life drawing, which I quite like even if it is a bit hot (colour-wise). I am quite enjoying Expressionism painting and the freedom that it brings.

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I did this with a palette knife and it is the first time I’ve worked on such a huge piece with one.  Theres a few bits that could do with some definition, and other elements such as the outline that could do with a bit less line. Otherwise, I’m fairly happy with it.

The next items are all taken from my Creative Textiles class.  I based these pieces on the theme Rendezvous, which seems to have gone in the direction of secrecy and covert operations.  This has led me to focus on the all-seeing eye and the building up of layers.

The first piece is a piece of silk that I have dipped in hot wax and crumpled into a ball. I then flattened it by hand and painted on fabric dye.  This is supposed to be like a weave pattern (although unsuccessful) but it has a great texture to it which you just can’t see here at all.

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The next piece was a piece of devore fabric that I had batiked onto giving the shape of facial features.  I dyed with red and black again, as I felt this was quite murky and bloody.  I then used devore paste on the material to burn out some of the fabric, making it transparent in places to reveal the layer underneath.  For some reason though, I think of the top layer as being very Banksy – completely unintentional!

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The next two pieces are on the same material – some kind of cotton I think.  I dipped these into the wax pot, crumpled them, then dyed.  What I love about these pieces are that they remind me of papyrus and ancient Egyptian texts.  Particularly the second piece.  As you can see, the all-seeing eye is present in both of these images, and are repeated several times in the second.  As you may or may not be aware, the all-seeing eye dates back to ancient Egypt and the Eye of Horus. Funnily enough, I didn’t intend for this effect on my first piece, but when I saw how it turned out, I definitely want to push it further in the Egyptian direction.

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This part was more considered, and I used the batik spoony/poury thing (that’s my technical definition for it as I don’t know what it’s called).  I help up the cloth after it had been dipped in wax, crumpled and dyed, and then used the spoony/poury thing to drip wax down the fabric.  I then turned it sideways and repeated the dripping effect, to get a nice kind of hatching pattern, but a few of the drips ran askew, which was absolutely ok.  I wish you could see how rich these colours look, as I’m particularly pleased with these two.

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So I cobbled some of my pieces together on a large sheet of paper and painted around them with fabric dye, dragging a fairly dry brush vertically in the direction of the fabric.  I love how murky this looks.

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The next piece was done by etching into a piece of polystyrene, then painted over with fabric dye.  I then pressed it onto a piece of calico giving a nice screenprint.

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The final piece was done using the same method except this time I used oil paint and pressed it onto 300lb watercolour paper.  I etched a smaller piece of polystyrene with a weave pattern and printed onto the paper in blocks, then I overlaid with my main print image.  I think this has turned out not too badly!

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So that’s where I am just now, and as you can see, my time hasn’t been completely wasted!

16
Feb

I finished my painting for Contextual Studies this evening.  I have to say, it turned out a bit differently from what I expected before I started working on it.  You see, I was working in Life Drawing class today, and we were working to music to see how it affects your style.  Now, I live for music – it’s my life blood.  I always paint to music, and I usually put my collection on random order, so the mood constantly changes. However, today we worked for half an hour to ‘relaxing’ music, half an hour to ‘aggressive’ music, and half an hour to ‘dark’ music.  It really depends on how you look at music.  The relaxing music was Ravi Shankar, which I found to be quite up-tempo.  The aggressive music was by Animal Collective, which was more avante-garde and slightly disconcerting, rather than aggressive, and the dark music was by Massive Attack, which to me is chillout music but with a hint of darkness in it. Most people would call thrash and death metal aggressive.  However, I love both of them, and generally don’t find them aggressive.  I hear the melody in it, and I relax to it.  So I guess it’s all relative.

I found it difficult to paint in a relaxing style, because, well, it’s not really me.  The aggressive style suited me far more, because it’s more expressive.  I also found the dark style to be too hypnotic so I don’t feel that the darkness comes across in my painting. Unfortunately, I forgot my first painting, so I can’t show it just now, but I’ve included the others.

This one is painted to Animal Collective, and is supposed to be aggressive. I personally love this one.  The style is completely different for me, and I absolutely loved painting it. I just got lost in the music.

Abstract mixed media life drawing of male figure

This next one was done to ‘dark’ music – Massive Attack – but as you can see the painting isn’t very dark, and to be honest, it’s not a particularly good painting either. There are so many mistakes in it, but I know what corrections I need to make.

Life drawing of male figure

Which brings me back nicely to my painting for Contextual Studies.  As I said, this turned out completely differently from what I expected.  I was heavily influenced by my life drawing today, and sought to bring that into this painting. This is quite dark, but I was painting to different types of music, so there are many styles here.  I’m really pleased with this one also.  Since I am basing this on several paintings by Dali and Picasso, two of which feature the imageries of war, I feel that this expresses those sentiments fairly well. I am becoming much more comfortable with being expressive and trying different styles of painting – coming out of my comfort zone, I suppose.  As usual you can click on all of the paintings to enlarge.

Abstract mixed media painting based on Dali and Picasso

Going back to the idea of music influencing painting style: do you listen to music when you’re painting? If so, what kind of music do you listen to, and what does it do for your style? Perhaps you don’t listen to music. Perhaps you can try, to see how it affects your style. I would love to hear your thoughts on this.

07
Dec

Some of my life drawing from this afternoon.  These are both 40 minute poses, and are unfinished, but that’s how the tutor wants them left. Apparently when presenting your portfolio to university, they aren’t interested in finished pieces, and like to see works-in-progress, so here they are.

30
Nov

I’ve been doing life drawing for 13 weeks now, and I have to say it’s not a subject I’ve really enjoyed.  I found that the methods being taught have slowed me down to a snail’s pace.  That’s not the fault of the teacher or the methods, but simply because I am just learning.  I realised that I should only employ these methods periodically during the process of drawing.  My problem was that I had been using them for every single measurement, thereby slowing me to a crawl.  Thankfully, today I decided I would use a paintbrush instead of a pencil, and what a difference!  I’m much more comfortable with a paintbrush, and it is a lot more freeing.  This allowed me to loosen up, and for the first time since I started this class I actually enjoyed life drawing.  The time (just over 2 hours) usually drags through but today class was over before I knew it.  A good sign I’d say.  Also, my tutor said I should stick to this medium as it seems to really work for me. He said that in the early stages, he forces us to use different mediums to see what works best for us.  I could have told him before I started! Oh well, at least it confirmed what I always knew.

So, we did some warm up exercises and then we  did a 20 minute pose, followed by a 45 minute pose.  The results are below.  There are many things that need fixed in the paintings, but I like where they are going.

25
Oct

I’ve done a bit more work on my project today, and I think I’m nearly done with it. This has been quite a challenge for me, as I’m completely outwith my comfort zone, in terms of colour and my work method.  I’m not usually this adventurous with colour, and that in itself has been quite a major hurdle to get over.  Colour terrifies me.  Well, new colour terrifies me.  I feel so reserved when I use colours and I tend to stick to the same colours.

Creating this has given me the chance to be a bit bolder.  I’m trying to learn not to be so ‘precious’ about what I’m creating, in the sense that if I don’t like how it’s going then I’ll paint over the top of it.  This has been something that I’ve been scared to do.  I’ve kind of felt that since I’ve just spent hours creating it, I have to live with it.  Silly, I know.  However, I’ve painted over this several times and you really can’t see much of the original colouring.  I’ve used all sorts of colour here like reds and pinks, alongside blues and yellows.  Combinations I never thought I’d use.  So, yeah, I’m really enjoying this.

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I’m back to college tomorrow and I have been working on my life drawing skills for my assessment, also tomorrow.  The feet I did in the classroom with a live model, but he wasn’t there the last class before the holidays, so we had to work on the hands at home.  I’ve drawn my own hands.  It’s really difficult to try and hold a pose when you’re trying to draw it at the same time.  Your hand or whatever your drawing tends to move. Obviously that’s something you have to get used to, and you have to adapt.  The drawings aren’t great but since I’m just learning I’m not too down about it.  Thankfully my tutor is really interested in expression at this stage, and not overly concerned about exact detail.

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So, I’m actually getting on really well with my final pieces. I’m just about done with the top painting, so that’s My Space out of the way.  I have a drypoint etching to do tomorrow for Coast, which I would do today but I have to paint the surface first and run it through the printing press before I can do the etching. I also have my collograph to print and I have my lino cut ready to go. So basically all I have to do is my printouts, and that project is finished.  I just have to do my paintings for Painting To A Theme, but I will have 2 weeks to complete these, and since I’ll be finished everything else I’ll have the whole 2 weeks to do these.  That will be plenty of time!  I can’t believe I’m so far ahead with everything, especially given the state of panic at the start of the course.  I’m really, really pleased with how I’ve coped, and I feel I’ve come on massively since the start.  I really can’t wait to see where I’ll be in a year’s time!

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