I warn you, this is a long post but there are lots of pictures so hopefully it will be relatively painless! I finished my Creative Composition final piece, which will be going to exhibition! Yay! It’s 40 x 40 cm on canvas and I’m really pleased with how it turned out. About 10 minutes before the end I hated it because I was trying too hard, so I gave in to my expressive side and went nuts! You can click on all of the images below to see them in better detail.
First of all I splattered on a heap of yellow ochre acrylic and laid into it with a palette knife (my first time using one). Then I added some cardboard and string.
I left it to dry so that I would be able to add my red and blue tones over the top of the canvas. I then drew in my basic shapes with a brush and started putting deep red and cadmium red on the main object. I didn’t like this look at all, so I started adding some purple and cerulean blue to it, but it was all turning a bit messy. I left that area for a moment and went over to the objects on the right.
I started to lay in some blue and purples here, which mixed in with some of the yellow paint but I think it worked out well. I went back to the main object and started to scrape off the paint with my palette knife and scored it in the process, which made it look much better than previously. I decided to add some more yellow ochre over the top with a brush and then scored it again with the knife. I liked the messiness of it and decided just to add some purple and deep red to define it.
I then moved over to the left side and pasted on some cardboard. I painted over it with deep red, cerulean blue and added hints of white. I then scored it with the palette knife to match the string square on the right.
On to the circle. Again, just some deep red, purple and a hint of white, then scored it with the knife to bring out the yellow ochre underneath. I had intended leaving the background yellow ochre but it just wasn’t working. This is the part where I hated it. So I decided to get some deep red again and brushed over the canvas with it, allowing some of the yellow to come through. I also added cadmium red and orange to bring it out a bit more. I finished off with brushing on a few hints of yellow ochre.
Ok, onto the next subject. I warned you it was a long post! Whilst visiting Peggy’s site the other day the topic of ‘idea catching’ was discussed, and the various ways in which people gather their ideas and put them onto paper, canvas or other media. I mentioned that because I work on various briefs to a given theme – usually based on a word or two – I use mind maps. I use these because it’s often difficult to translate a word into an idea. The word may be obvious but conversely, it may be more obscure and you can’t imagine how to put that it into a painting. This is where mind maps come in.
As you know, I have various briefs just now and one of the themes I chose was ‘Rendezvous’. I had no idea how to translate this! So, I started my mind map, and within about 15 mins I came up with heaps of ideas. Peggy has never used a mind map before, so I suggested she give it a try. Since she’d never used one, she asked if I could show her an example. So, here is a very rough mind map, based on the theme ‘Rendezvous’. Again, click to enlarge.
As you will see from this there are many words that popped into my head. Some of the words lead to a dead-end and I can’t go anywhere with them really. Well, I could but it would be getting away from the idea of a rendezvous. However, there are several words that I can translate into a painting. For instance, there are words such as weave, camouflage, covert, layers, divert, and join. All of these can be translated. I got the idea for weave from web of deception and weaving lies. I can translate this by adding a weave pattern into my image, whether it is painted, textile or collage. You can add layers of paint or fabric. You can also divert attention from part of the image to another and so on. It’s a brilliant way to quickly come up with ideas, and importantly they always stick in your head once you’ve done this. Why don’t you try it?
And lastly, I was given this little blog award by Leslie for brightening up her day.
It’s the first blog award I’ve been given, and it added some sunshine to my day. The idea is that I pass this on to others who inspire me and cheer me up. I will be doing this, as I’ve been meaning to add a post about all the wonderful people and sites I’ve encountered since I started blogging. Once I get a bit of time to myself I will get to it. I promise! So keep an eye on your mailbox!











Hi Heather, Thank you! Excellent! Everything is excellent! I feel like I'm attending art school through you. I like your layering and weaving together of textures, paint, ideas, and color! I like the layering of meaning. I hope this does well for you in the class.
Thank you for explaining and illustrating mind mapping. Enlightening to see it in association with your work!
Thank you, thank you thank you!
Brilliant Peggy! I'm so glad you found this to be useful! It really is a great tool, especially when you have no ideas. I hadn't used them until I started this course, because I've always been a linear thinker. I decided I needed think more creatively and found this to be the best method. I'd be lost without them now!
I've got all the materials for my mood board based on this theme, so I'll be finishing it tomorrow. I'll post an image of my interpretation when it's done.
Wonderful post Heather! Your final project is gorgeous and your explanation of your process is very informative!! I like how you put so much thought into your work and ideas. I can just feel your enthusiasm!
Thank you Pam! I am really excited about this piece. It didn't take me that long to paint – a couple of hours – but it is one of my favourites. Funny how things can be hideous near the end then you do something that completely turns it around! I realised that I needed to explain more of my processes, so thought this post would be perfect. It's a bit long but hopefully everyone can take something from it!
I love all the layering that comes out so strongly in the close-ups.
Thank you Seth! The main picture just doesn't do this painting justice, so I thought it would be a good idea to get some close-ups to show the textures and layering. It is much better when seen this way!
I had read about this mind mapping in relation to writing. Love it. I also like your painting. It has a rustic and warm appeal to it. You deserved your award for all the sharing you do here. By the way, I do think I'm beginning to warm to the abstract. I may never be good at it but through you I am really starting to like it!
Thank you Leslie! Mind mapping is a wonderful tool. I'd be lost without it! I'm glad you like the painting too. I agree it has a rustic appeal to it. It makes me think of the Mediterranean, don't you think? I'll have you converted to abstract one day! Lol. You must give it a try. That is now your challenge! It's so good to let go. There is a fair degree of control in this, but at the end I just let go, and it became a much better painting as a result.
I don't know enough about Mediterranean but I will trust you on that. I have painted four abstracts. Two of them you have seen. I like them but they come from somewhere else in me. I start with a technique and begin seeing shapes and imagining colors, or I start with an idea and the painting begins to talk to me. I can't explain it. They generally take twice the time to produce as I keep going until I'm satisfied. I'm happy with the four and hope that I become inspired by the process more frquently.
Wooooooooow!
I just love your paintings.
I'm glad that i found your blog
Enjoy your day,my friend!
Thank you so much Alina! I'm glad that you enjoy my work. This is one of my favourites so far, but that keeps changing! Lol. Thank you again for stopping by, and I'll be sure to check your page out too. Have a great evening!
My pleasure,my friend!
Welcome to my blogroll ( "home" )
Have a great evening you too!